Freedom Studios is an inter-cultural theatre company based in Bradford, West Yorkshire which is about to open a new play by Tajinder Singh Hayer set in a post-apocalyptic fantasy version of Bradford called North Country at The Wild Woods in the heart of the town where it is set.
Alex Chisholm, the play’s director and recently appointed co-Artistic Director of Freedom Studios, spoke to BTG editor David Chadderton about the play and about the philosophy behind Freedom Studios.
North Country will be at The Wild Woods in Bradford from 26 October to 5 November 2016.
(Rehearsal image of Alex Chisholm by Maria Spadafora)
Performance poet Luke Wright is is currently touring with a solo verse play directed by nabokov’s Joe Murphy called What I Learned From Johnny Bevan.
Luke plays Nick, an arts journalist, who is transported by current events back to memories of his days in university in the mid-‘90s when his friend, after whom the play is named, changed his life.
In this episode, Luke speaks to BTG editor David Chadderton about the show, politics, New Labour, festivals, acting awards and poetry.
Luke tours the UK until December 2016 with What I Learned From Johnny Bevan. For details of where he will appear, see the gigs page on his web site.
(Photo credit: Guiseppe Cerone)
In this episode, BTG Midlands editor Steve Orme speaks to the two lead actors in the production: Hugh Maynard who plays Sweeney and Sophie-Louise Dann who is Mrs Lovett.
Sweeney Todd is at Derby Theatre from Friday 30 September until Saturday 22 October. It then transfers to the Mercury Theatre Colchester from Wednesday 26 October until Saturday 12 November.
(Rehearsal image of Hugh Maynard and Sophie-Louise Dann by Robert Day)
Playing the role of Clara Soppitt, actress Kate Anthony, best-known for playing Pam Hobsworth in Coronation Street, spoke to BTG editor David Chadderton during rehearsals about the production and her part in it as well as some of the differences between acting in theatre and TV and the importance of getting on with your fellow actors while touring.
When We Are Married is at York Theatre Royal until 24 September 2016 before touring to Hull Truck Theatre, Theatre Royal Bury St Edmunds, Rose Theatre Kingston, West Yorkshire Playhouse, Stephen Joseph Theatre in Scarborough, Cheltenham’s Everyman Theatre, New Vic Theatre in Newcastle-under-Lyme, Liverpool Playhouse and Northern Broadsides’ own Viaduct Theatre in Halifax, where it closes on 4 December.
(Rehearsal photo of Kate Anthony by Nobby Clark)
Theatre in Scotland: A Field of Dreams is a compilation of 35 years of reviews from The Scotsman's lead theatre critic Joyce McMillan, edited by former Traverse Theatre artistic director Philip Howard.
From the heart of the Edinburgh Festivals of 2016, Joyce shared with BTG editor David Chadderton her extensive knowledge and insightful analysis of Scottish theatre and its development in conjunction with political and social changes in Scotland and across the UK since the 1970s.
Philip Fisher and Richard Jordan discuss Richard’s exciting new multimedia theatrical collaboration with Apple Corporation in Chicago and also Edinburgh trends and the very best that Edinburgh has to offer.
Philip Fisher joins the three leading Scottish theatre critics, Joyce McMillan, Mark Fisher and Neil Cooper, to talk in detail about Anything That Gives off Light in the Edinburgh International Festival, Diary of a Madman at the Traverse and World Without Us at Summerhall, as well as identifying a plethora of other shows that are well worth catching.
David Chadderton talks to Nir Paldi, co-artistic director of Theatre Ad Infinitum whose show Bucket List was previewed at Latitude Festival before opening in its final form at the Edinburgh Fringe.
(Photo credit: Alex Brenner)
Philip Fisher talks with Kate O’Flynn, who is starring in what is likely to be the pick of Edinburgh 2016, John Tiffany’s production of The Glass Menagerie in the Edinburgh International Festival, about the play, her stage career and working with Mike Leigh.
(Photo Credit: Johan Persson)
Philip Fisher interviews Dave Malloy about bringing Ghost Quartet to Summerhall Roundabout and the impending Broadway opening of his musical Natasha, Pierre and the Great Comet of 1812.
(Photo Credit: Ryan Jenson)
Phelim McDermott co-founded acclaimed theatre company Improbable in 1996.
His directing credits including Shockheaded Peter with Julian Crouch and The Tiger Lillies, Philip Glass’s The Perfect American with ENO and Teatro Real in Madrid, The Addams Family on Broadway and, most recently, Jim Broadbent in A Christmas Carol on the West End.
Phelim spoke to BTG editor David Chadderton about the origins of Improbable's show Animo that combines improvisation and puppetry, which was revived for the 2016 Latitude Festival led by co-artistic director Lee Simpson.
He also looked back on 20 years of Improbable and talked about the importance of improvisation to all of his work, even when script-based, and the influence of the ideas of Keith Johnstone and Jeremy Whelan on his techniques.
The Classic Thriller Season has been running at the Theatre Royal in Nottingham since 1988, produced by Colin McIntyre until his death in 2012.
The season has been kept up by Tabs Productions, which has continued the format of presenting four plays over a four-week period.
Karen Henson and John Goodrum of Tabs talk to Midlands Editor Steve Orme about this year's season, about continuing a long-running tradition and about their contribution to keeping the rep system alive.
Producer Bonnie Mitchell and performer Kylie Walsh talk about Mobile, a production from The Paper Birds that takes place in a small caravan for an audience of up to eight people at a time.
Bonnie and Kylie talk about the themes of class and social mobility, the devising process and the special challenges of touring a show for a tiny audience in a caravan.
The production, a co-commission from Live Theatre and The Marlowe Theatre, has just finished its first tour. It will be visiting The Marlowe Theatre in Canterbury from 8 to 12 October and Theatre Royal Plymouth from 1 to 5 November 2016 before touring again in 2017.
For more information, see www.thepaperbirds.com.
(Photo of Kylie Walsh credit: Richard Davenport)